. We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. It takes active participation to do that. Jeff: That composition is also being given its first hearing in Carnegie Hall in this performance. The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). To many Black musicians, the Gateways Music Festival represents a welcome haven from the isolation many face in their working lives. Female Speaker 2: Your tickets, please. Can you distinguish for us the difference between the festival proper and the festival orchestra? Gateways Music Festival | Rochester NY Conductor Anthony Parnther led this orchestra, all musicians of African descent, and. Tuesdays at 8:00 pm The Gateways Music Festival Orchestra at Carnegie Hall Fresh, exciting performances highlighting musicians of African descent The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. 3. General Admission. The film screening and lecture are both free and open to the public, but tickets are required. John: Another curtain call for Conductor Anthony Parnther. For details on event times, prices,and locations, call 232-6106 or visit gatewaysmusicfestival.org. General Admission. This performance is free and open to the public, but tickets are required. This is going to be quite a wonderful world premiere and a big occasion. He . We principally had one and a half days to piece this work together. Their conductor back out on stage, pointing out the different sections of the orchestra, thanking them for their performance on this program, and asking members of the ensemble to rise. Then we'll proceed into the piece, From Carnegie Hall Live, the world premiere of. Black Lives Matter. Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. Anthony Parnther, conductorAntoine T. Clark, assistant conductor, VIOLIN I Kelly Hall-Tompkins, concertmaster Cleveland A. Chandler Daniel Constant Caitlin Edwards Mellasenah Edwards Brendon Elliott Alex Gonzalez Mariana Green-Hill Marianne Henry Ashley Horne Amyr Joyner Kyle Lombard Jessica R. McJunkins Chelsea Sharpe Lionel Thomas Anyango Yarbo-Davenport, VIOLIN II Derek Reeves, principal Lucinda Ali-Landing Charlene Bishop Jeffrey Boga Dale Breidenthal David Burnett Nicole Cherry Frdrique Gnaman Bennie Harris Joshua Henderson Sarah E. Martin Phillip Payton Meredith Riley Booker Rowe, VIOLAJennifer Arnold, principalLeslie DeShazorAndrew FrancoisAshleigh GordonLinda GreenChristopher JenkinsCaroline JonesJaven LaraDeidra LawrenceAundrey MitchellYvonne SmithGeorge Taylor, CELLO Troy Stuart, principal Ifetayo Ali-Landing Cremaine Booker Eric Cooper Gordon Grubbs Joseph Hbert Timothy Holley Thapelo Masita Prudence McDaniel Derek Menchan James Ryan Murphy Wayne Smith, DOUBLE BASS Rick Robinson, principal William Johnson Kevin Mauldin Anthony Morris Jacqueline Pickett Patricia Silva Weitzel, FLUTE Judith Dines, principal Dennis Carter Jacqueline Cordova-Arrington Patricia Reeves, OBOE Titus Underwood, principal Hassan Anderson Sarrah Bushara Geoffrey Johnson, CLARINET Alexander Laing, principal Pamela Coats Robert Davis LeTriel White, BASSOONJoshua Elmore, principalAlexander DavisKai RockeMaya Stone, FRENCH HORN Larry Williams, principal David Dickerson Adedeji Ogunfolu Priscilla Rheinhart Jeffrey Scott, TRUMPET Herbert Smith, principal Javian Brabham Leonard Foy Courtney Jones, TROMBONE Burt Mason, principal Isrea Butler Timothy Robinson Martin McCain (Bass), PERCUSSION Ralph Barrett, principal Jauvon Gilliam Cleo Goldberg Don Johns Terry McKinney. It is his voice. Congratulations. KODAK HALL AT EASTMAN THEATRE26 Gibbs StreetRochester, New York. The authoritative record of New York Public Radios programming is the audio record. Visit our website. We understand its importance, so that's really significant. What's the potential of this orchestra? Of course, personally, I would love to see this orchestra come together more frequently. 3 James V. Cockerham: Fantasia on Lift Every Voice and Sing. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestra's Carnegie Hall debut! What else is Gateways beyond this? It opens up all these realms of possibility. is a work for piano and orchestra called I Can. I believe she's 84-85 years old. I believe she's 84-85 years old. It can also serve as a beard or it can veil other, I think, less inclusive narratives. BRUNO WALTER AUDITORIUMNEW YORK LIBRARY FORTHE PERFORMING ARTSLincoln Center111 Amsterdam AvenueNew York, NY. Jeff: Backstage at Carnegie Hall, I'm Jeff Spurgeon. Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. Thank you, gentlemen. Alex: This music we call classical likes to drape itself in narratives of universality and likes to position itself as being aracial and reflecting some universal culture. Only one ticket is required for both the film screening and the lecture. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestras Carnegie Hall debut! Featuring five of Gateways most popular pianists performing works by Black and other composers. In no time he charmed us with his wit and delighted us with his energetic performances. It would come up. Jeff: It's wonderful to have you here. Exactly. They're equally important to us. He has premiered and recorded works by Anthony Davis, George Walker, Errollyn Wallen, John Wineglass, Gary Powell Nash, Marian Harrison, Renee Baker, James Wilson, Phillip Herbert, Daniel Kidane, Chanda Dancy, and James Newton. Because of limited seating capacity in the Rose Auditorium, we urge you to get your tickets as soon as possible. It's our greatest cultural export as a nation. Experience the rich sounds of the @gateways_music orchestra on Wednesday, April 20 at @EastmanTheatre for free. Recent guest. First, I would love to thank everyone who made it possible for us to be here, the ancestors who are watching over us. It is his heart. We'll hear her Symphony No.3, one of more than 300 compositions of hers, symphonies, concerto, chamber music, and choral music, most of which were lost for decades. Anthony has restored and performed orchestral works by Florence Price, Zenobia Powell Perry, Margaret Bonds, William Grant Still, Duke Ellington, and Samuel Coleridge Taylor. Gateways Radio features exceptional compositions and . That's available to everyone. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. It can also serve as a beard or it can veil other, I think, less inclusive narratives. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. John: A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. 4/25/2022 12:00 AM. The two pieces are musical cousins and were actually intended to be so. All rights reserved. Gateway Festival Orchestra BRINGING FREE CONCERTS TO THE ST. LOUIS COMMUNITY SINCE 1964 Announcing our 2023 season Save the dates. [crosstalk]. Gateways Music Festival is grateful to the following institutions, foundations and governmental agencies for their generous support of the 2022 Gateways Music Festival. What was the idea there? They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. These and additional COVID-related policies can be found here. Gateways is receiving an $800,000 award from the. 3; Florence B. Prices Symphony No. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. 560 Music Center. 3 in C Minor, James Cockerhams Fantasia on Lift Every Voice and Sing and the world premiere of a work for narrator and orchestra by Oscar-winning, GRAMMY-nominated Jon Batiste, host of The Late Show with Stephen Colbert. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. What does it mean to have you and your colleagues in this place at this time? If you can see it, you can be it, is the expression. 3. Thank you so much. Next performances this artist is scheduled to appear at: This artist has no upcoming performances - yet! Click on individual event for more information and to purchase tickets. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. Right now, the stage door opens and back out to center stage here at Carnegie Hall, strides the conductor Anthony Parnther to lead this first performance at Carnegie Hall of George Walker's Sinfonia No. The mission of Gateways Music Festival is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. Jeff: The Gateways Music Festival Orchestra from Carnegie Hall Live. I should have asked you that before this began, but I'll lay it on you anyway. Search sc.edu. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. Alex, thank you for stopping by. His answer was, "I felt that Carnegie Hall, that places like that were not meant for people who looked like me and it was important to make that step and to be seen on that stage. Congratulations. When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. It was wonderful to see you turn and conduct the audience in that final piece as well. Thank you!!! . The all-Black Gateways orchestra makes its Carnegie Hall debut on April 24, after a week of events at Harlem's Abyssinian Baptist Church, the Schomburg Center for Research in Black Culture, and other key NYC cultural spots.The orchestra represents a supportive artistic home for its members, all of whom are professional classical musicians of African descent. How was putting that piece together because it was put together pretty much in New York, I think? Anthony: Exactly. Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. This artist has also appeared with: This artist not appeared with any other performers that we know of. Jeff: If you can see it, you can be it, is the expression. The historic concert was broadcast live on WXXI in Rochester and on the New York City classical station WQXR. Jon: In the spirit of sharing a little of the backstory behind this piece, I want to share a poem that I wrote. What's the potential of this orchestra? They're leaving the stage for a few minutes, but we have managed to grab one of them by the coattail as he walks by. Bagikan di Facebook . 3 PM Stern Auditorium / Perelman Stage Read More Thursday. A A. ulang. Jeff: -for Soul, the Pixar film, and has also just won five Grammys, including Record of the Year at the most recent Grammy Awards just a few weeks ago. It turns out that Gateways isn't just an organization that serves musicians. A very gala-feel to this event. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. Jon Batiste once at the center stage. The Gateways Music Festival is opening up a vital future for classical music, and we are honored to be part of it." To learn more about Gateways Radio or locate stations that broadcast the series, go to GatewaysRadio.org. That annual festival, which features classical musicians of African descent, will include a performance this coming. Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. Conductor Anthony Parnther is also out on the stage now with the rest of the Gateways Music Festival Orchestra. Lee Koonce: Armenta Hummings Dumisani, I think the term force of nature was created for her. Butler is a Conn-Selmer clinician and performing artist. We had to really be on our feet, go with Jon wherever he decided to go at any given minute. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. It seems like there was a real intention behind the planning of this program today. They're equally important to us. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" They'll open the second half of the program with a big work by prolific American composer, Florence Price. Last week I spoke to Carl Craig, who is one of the pioneers of the second wave of Detroit techno, who played here as part of Carnegie's Afrofuturism festival. Press Room. Jeff: The ensemble taking center stage is part of the Gateways music festival, a larger organization dedicated to providing a community and a performance hope for classical musicians of African descent. To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. John: Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of "I can.". "The first time I played in an all-Black orchestra was at . John: Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. Gateways Music Festival Orchestra. American conductor, Anthony Parnther, is the Music Director and Conductor of the San Bernardino Symphony Orchestra and the Southeast Symphony & Chorus in Los Angeles. His live orchestral concert appearances for e-sports titan League of Legends in Barcelona, Beijing, Seoul, and Los Angeles are among the most widely viewed symphonic concerts in the world, with live audiences of 50,000-75,000 spectators and a viewership that outpaces the World Series with approximately 100 million live streaming each League of Legends Finals Opening Ceremony concert. That's available to everyone. That's a big step for us as well. Follow me. That was my first Gateways. John: This program has an almost built-in encore, which is a work by James V. Cockerham Fantasia on Lift Every Voice and Sing. Does that resonate with you? May 12, 2021. The festival has just grown and grown and grown since 1993, from that vision. The Eastman School of Music was founded in 1921 by industrialist and philanthropist George Eastman (1854-1932), founder of Eastman Kodak Company. Guest engagements include Chicago Sinfonietta, the Chamber Orchestra of New York, the Colour of Music Festival Chamber Orchestra, Richmond Symphony, and the Gateways Music Festival. I wonder if in working with them now if any vision has occurred to you? She thought, "If a five-year-old kid sees the Gateways orchestra up there and that kid will say, You know what, I can play hip hop. It's our national anthem. This concert is in fact part of his Perspectives series, but today's premier. You have to make it true. . Jeff: Conductor Anthony Parnther goes on stage, to conduct the final work on this program, the Fantasia on Lift Every Voice and Sing by James V. 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